This is the third partita from Bach's set of Partitas for keyboard BWV 825–830, which was published in 1731 as the first volume of Clavier-Übung. Here is a complete list of the pieces included, in order of appearance in the notebook: The composers of still others, including several popular songs of the time, remain unknown. The authorship of several pieces is identified in the notebook itself, while that of others was established by researchers. Most of the entries in the 1725 notebook were made by Anna Magdalena herself, with others written in the hand of Johann Sebastian, some by sons Johann Christian and Carl Philipp Emanuel, and a few by family friends such as Johann Gottfried Bernhard and Johann Gottfried Heinrich.Īlthough the 1725 notebook does contain work composed by Johann Sebastian Bach, it also includes works by many other composers. Light green paper is used for the front cover, Anna Magdalena's initials and the year number "1725" are printed in gold, the annotations A M B added by her stepson C. The 1725 notebook is larger than the 1722 one, and more richly decorated. A short dance with simplistic two-part writing and two sections with repeats for each.Ĭover of the second (1725) Notebook for Anna Magdalena Bach Minuet in G major, BWV 841 (not to be confused with Petzold's Minuet in G Major in the 1725 notebook).A brief (9 bars) piece in three voices, features two sections with repeats for each. "Jesus, meine Zuversicht", chorale prelude, BWV 728.The first 10 bars feature coherent two-part writing, but the remaining 35 bars only have one voice written out. Air with variations in C minor, unfinished, BWV 991.A short organ piece, 12 complete bars and the beginning notes of the 13th bar. Fantasia pro organo, unfinished, BWV 573.The minuets of suites 2 and 3 are separated from the rest of their respective suites and were most probably added at a later date by Anna Magdalena Bach (they are almost certainly in her hand), some time before 1725. The next two are complete suites, French Suites Nos. The first three are fragments of the pieces that are now known as the first three French Suites, BWV 812–814. The notebook contains the following works, most in Johann Sebastian's hand: AntiMelancholicus refers to Anti-melancholicus, oder Melancholey-Vertreiber (Anti-melancholy, or to drive out the melancholy])." Christen Schule item" refers to Pfeiffer's Evangelische Christen Schule (" Evangelical Christian School").Ante Calvinismus is a shortened and misspelled title of Anti-Calvinismus, oder Unterredungen von der Reformierten Religion (Anti- Calvinism, or Conversations about the reformed religion).For a reason so far unknown to researchers, Johann Sebastian wrote the titles of three books by theologian August Pfeiffer (died 1698) in the lower right corner of the title page: The title page is inscribed Clavier-Büchlein vor Anna Magdalena Bachin ANNO 1722 in Anna Magdalena's hand (using the feminine version of her last name). The back and the corners are decorated with brown leather greenish paper is used for the cover. It is not known what happened to the other pages. This notebook contains 25 unbound sheets (including two blank pages), which is estimated to be approximately a third of the original size. Note the titles of the three Pfeiffer books written by Bach in the lower right corner. Title page of the first (1722) Notebook for Anna Magdalena Bach. The 1722 notebook: French Suites and miscellany The primary difference between the two collections is that the 1722 notebook contains works only by Johann Sebastian Bach (including most of the French Suites), while the 1725 notebook is a compilation of music by both Bach and other composers of the era. The title "Anna Magdalena Notebook" is commonly used to refer to the latter. The two notebooks are known by their title page dates of 17. The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family. Keyboard music ( minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces for voice ( songs, and arias) are included. The title Notebook for Anna Magdalena Bach ( German: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. You may hear selections from Bach's Anna Magdalena Notebook as performed by Gustav Leonhardt This page of the 1722 notebook contains the gavotte from French Suite No.
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